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Princess Safia Hussein Presents Fashion Show in Riyadh

Fashion for style-conscious Muslims: The “Modest Fashion” show took place in the Saudi Arabian capital Riyadh. The fashion market in the Muslim world is huge.

It’s only been a few years since conservative Saudi Arabia started hosting fashion events. At first it was a political sign, because until recently women had little opportunity to use fashion as a form of public expression. The accepted norm was the abaya, a black floor-length cloak, covering their clothes.

Recently, the conservative Islamic kingdom has introduced long-awaited advances in terms of equality. Women have recently been allowed to drive their own cars. The football stadium is no longer taboo for women. And in the future, women are to be allowed to set up companies without the permission of a man.

Three years ago, Europe’s fashion giants including Jean Paul Gaultier and Roberto Cavalli traveled to Riyadh Fashion Week to present their designs in the luxurious Ritz Carlton Hotel. There, they met Saudi Arabian designers.

However, men were not allowed to attend the shows as spectators. And although the fashion industry lives from the fact that newly presented collections are filmed, photographed and distributed in the media — cameras were strictly forbidden.

A huge market for fashion

This time though, a lot had changed: the Orient met the Occident on the catwalk in the gardens of the Belgian embassy in Riyadh. Modest fashion, the term used to refer to clothes designed to meet spiritual and stylistic requirements, has long been a household expression on social media — in the US, Germany, Turkey and even in the Arab countries.

The target group are Muslim women, who are developing growing purchasing power. Four years ago, Muslims worldwide spent an estimated $254 billion (€211 billion) on clothing. According to the Global Islamic Economy Report, that should hit $373 billion by 2022.

Western fashion brands such as Nike, Dolce & Gabbana and H&M have long been responding to this trend. European fashion designers are also increasingly working with financially strong partners in the Gulf States. For example, recently the Belgian fashion designer Christophe Beaufays created a collection together with Safia Hussein Guerras, princess of the Saudi royal family.

That collection went on show at last year’s Modest Fashion event at the Belgian embassy in Riyadh. A selected, mixed-gender audience was invited — a small revolution in Saudi Arabia, where fashion shows usually do not take place in front of a mixed audience.

Modest fashion — not without controversy

The phenomenon of “modest fashion” is also controversial. When the exhibition “Contemporary Muslim Fashions” opened in Frankfurt in 2019, women’s rights groups accused the Museum of Applied Art of omitting to deal with the fact that oppressive conservative dress codes are also behind the fashion trend.

Even now, the collection of Princess Safia Hussein Guerras and Christophe Beaufays renounced too much extravagance. The cowboy hat worn by one model was exciting because it was full of allusions.

Other designers showed more courage, and brought bright colors, strong patterns and a lot of glamour to the catwalk, such as Turkish fashion designer Rasit Bagzıbagli, who mainly designs Western fashion. It was not until 2017 that he presented his first collection of modest fashion at the Dubai Modest Fashion Week, with US top model Halima Aden. Meanwhile, the designer has over 400,000 followers on Instagram.

“When I travel, when I go to New York, Paris, or Los Angeles, from the plane I usually remove my ‘abaya’, but I didn’t want to remove it anymore,” Princess Safia told Arab News.

“I want to be proud to come out with the ‘abaya’ that looks just the way that you saw them today. I want my sisters, the Saudi or Gulf sisters, and all of my sisters around the world to be proud because we should be proud.” she added.

The fashion line transfigures the traditional ‘abaya’ and into an international attire, combining the cultural influence of Arabia with the diverse western themes, to create an ‘abaya’ for all women regardless of their origin and redefining the ‘abaya’ as a global garment for all women, a symbol of elegance and modesty.

Many people in the West still see the ‘abaya’ as a symbol of oppression or lack of freedom and don’t grasp the beauty and modesty it holds, however, by blending international influence and themes, the garment is viewed as a symbol of individuality in a conservative fashion.

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